References

Drucker, Johanna. “Humanistic Theory and Digital Scholarship.” in Debates in the Digital Humanities. kindle location 242. Edited by Matthew K. Gold. Minneapolis, MN: University of Minnesota Press, 2012.

Drucker, Johanna. “Humanities Approaches to Graphical Display.” Digital Humanities Quarterly 5, no 1 (2011).

Hermann, Thomas, Andy Hunt, and John G. Neuhoff, eds. The Sonification Handbook. Berlin: Logos Verlag, 2011.

Levine, Caroline. Forms: Whole, Rhythm, Hierarchy, Network. Princeton: Princeton University Press, 2015.

McGann, Jerome, and Lisa Samuels. “Deformance and Interpretation.” in Poetry & Pedagogy: The Challenge of the Contemporary, eds. Joan Retallack and Juliana Spahr, 151-180. New York: Palgrave Macmillan, 2006.

Moretti, Franco. “Network Theory, Plot Analysis.” Stanford: Stanford Literary Lab, 2011.

Priest, Eldritch. Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure. London: Bloomsbury Academic, 2013.

Ramsey, Stephen. Reading Machines. Champaign: University of Illinois Press, 2011.

Rickert, Thomas Joseph. Ambient Rhetoric: The Attunements of Rhetorical Being. Pittsburgh, PA: University of Pittsburgh Press, 2013.

Hamlet from Folger Digital Texts, ed. Barbara Mowat, Paul Werstine, Michael Poston, and Rebecca Niles. Folger Shakespeare Library.

Stiller, James., Nettle, Daniel. and Dunbar, Robin I.M. “The Small World of Shakespeare’s Plays.” Human Nature 14.4 (2003), 397-408.

Sample, Mark. “Notes Toward a Deformed Humanities.” samplereality.com. 2012.

Alexander Galloway. “Networks.” in Critical Terms for Media Studies, eds. W. J. T. Mitchell and Mark B. Hansen. Kindle Locations 4215-4216. Chicago: The University of Chicago Press, 2010.

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